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Twelve (2001)

For everyone who almost puked at the jittery and shaky camera work of "Blair Witch" comes "Twelve," a no-budget DV feature with camera work that makes the words jittery and shaky inadequate to describe the visuals here.

"Twelve" is about Zach Taylor, a young man who wakes up after a party and can't remember his name, or anything about his life prior. Surprisingly, when Zach looks in the mirror, he can't see his face either. This is the only creepy and interesting thing about the film. Zach's inability to see his face in mirrors or in video films of his face is a cool effect.

The film is made from Zach's POV, so, like him, we only see his face when he looks in mirrors or in a video camera screen. And like him, we do not see his face either. But when Zach runs, and he is running away from something or someone almost the entire film, we see things from his POV as usual. And here the camera work is awful. It becomes avant-garde garbage. And there is a lot of this in the film. With a run time (no pun intended) of 82 minutes, if you took all the crappy nonsense video footage out of the film, you'd be left with about an hour of usable footage.

The plot here is ridiculous. Sort of a homage to Phillip K. Dick as written by a high school junior. Worse, Zach is led to his knowledge of what is going on by a seemingly random moment when he runs into the library and discovers some interesting information about who he is. Why he runs into a library is beyond me. The script never attempts to explain it. Eventually, Zach realizes that a mysterious corporation named IGOR is responsible for his condition.

The saving grace of "Twelve" is a character who plays sort of a renegade. I'm not sure of the actors name, but he is funny as hell. Director Daniel Noah seems to let this guy improv a lot and he is hilarious. He provides comic relief. And trust me, this film needs all the relief from its experimental nonsense that it can get.

The best scene in the film, however, is when Zach visits his mother and grandfather (sort of). The older lady playing his mother is also quite wonderful. If the film had settled down and tried harder to explain what is going on and tried harder to be a real film rather than sort of a experimental NYC film student thing it might be pretty good.

Noah is defiantly inventive and "Twelve" is impressive in many ways, considering its seeming lack of budget. But the film is too hard to watch. The camera work is far too jangled. Ultimately, this film isn't just a dull headache; it's an aneurysm

 

This Film Reviewed from the 2001 Austin Film festival!

Report Card

Script: C-

Acting: C+

Cinematography\Lighting: F

Special Effects\Make Up: C

Music: F

Final Grade: F

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