Trick
(1999)
"Trick" is probably the best gay American movie since
"The Living End." It just might be the most romantic
and wonderful gay American movie ever! Sure, they try
to sell the film by saying it's some sort of lurid independent
feature about two gay guys trying to find a place to
have a one night stand, but that's just the scratches
on the surface. First time Director Jim Fall, working
from an awesome script by first timer Jason Schafer,
has shined this up to be the funniest, the smartest,
the most romantic, the most hopeful, the most fantastic,
the most sweet gay movie of our lives. Of course, dear,
It's all fantasy. But God, buying into the fantasy is
where all the fun is.
Schafer is wise to take two perfect but seemingly typical
gay male characters and bring them together. One is
the cute, shy, gay guy just looking to meet a nice guy.
The other one is the studmuffin that makes us drool.
Schafer then turns convention on it's ear by making
the naive one not so naive and the hunky one not so
much of a user. We like them. Hell, we love them. They're
dang cute to begin with, but they're also rich, emotional
characters of such depth and complexity, that we can't
help but like them. Christian Campbell is perfect as
Gabriel, a struggling musician and songwriter who looks
like Opie but hasn't just fallen off the turnip truck.
He's been hurt but he's not bitter. He's just struggling
to find his path. More to the norm in gay flicks is
Mark, played by the wonderful John Paul Pitoc, making
his film debut. Mark is a dancer, a "go-go boy," as
Gabriel likes to call him. But Schafer and Pitoc makes
Gabriel the "hooker" with the heart of gold. Now, that
sounds typical and tired, but not in gay movies. When
was the last time in a gay movie, the hero picked up
an attractive, sexy one night stand who turned out to
be a real person and not a user and a monster? I can't
remember ever seeing one before. It's fucking groundbreaking.
This is the gay movie I have been waiting for. There
is so much humor and joy and sorrow and pathos and happiness
and truth that it just bursts from the screen. When
was the last time a fag hag and a drag queen made you
laugh with them - not at them. And never made you feel
sorry for them? Tori Spelling as Gabriel's best friend
is downright hilarious. She sets the tone for the entire
film within the first five minutes. God, she's funny.
Sure, some of it is pure easy schtick, but Spelling
makes it all her own. She's worthy of every bit of critical
praise she garners for this role. She re-invents herself.
It's groundbreaking. Also of note is Steve Hayes Gabe's
flitty, but not too flitty, older friend. Pitoc and
he share a moment that make us fall in love with both
of them. It's a moment where Pitoc's Mark really has
a chance to shine and come to life for us and these
two actors pull it off like nothing we've ever seen
before. You know what I mean? We've seen it before but
these guys make it brand fucking new. It's groundbreaking.
(Yes, I will keep saying that till you get the point!)
Meanwhile, Claude Leupp, as his alter ego Miss Coco
Peru, confronts Gabriel in the bathroom of a gay bar
has a 5 minute segment that is one of the most hilarious
moments I have ever seen on film. I was laughing like
a crazy person.
The whole damn movie is funny. But never sad funny or
insightful funny or sophomoric funny or sophisticated
funny. Just bare bones honest fucking funny. It hits
the right fucking chord every damn time.
Much of this is the actor's doing too. Campbell never
hams it up or gives us those "Aw shucks" moments. Pitoc
re-invents the quiet hunk as a romantic gay male love
interest; His character comes out of nowhere to win
our hearts. We like him because he's fine. And we understand
him, because we know what fine guys are all about. But
Pitoc goes one step further and uses Schafer's script
as a springboard to bring us a truly new type of male
lead. His beauty is not skin deep. Everyone here conspires
to make the film perfect and they all succeed easily.
Fall's film may have rare moments where it takes an
easy turn or it pushes a little too hard, but the actors
finesse these minor rough spots with the kind of spark
and polish that makes good movies great - and great
movies masterpieces.
Fall, and his cast, working from Schafer's awesome script,
have crafted a indie gay flick that breaks all the rules
and then somehow comes across as being sweet and funny
and true. It's not all witty urbane dialogue or typical
tried and true gay angst. It's just good old fashioned
American movie-making at it's finest. Fall's heartfelt
direction never makes fun of the characters, never takes
cheap shots, never forces anything on us. His characters,
whether gay, straight, bi, in drag, fag hag, or whatever,
are all a delight. And he treats them with the kind
of kindness that we just don't get in indie films anymore.
But he also has Schafer to thank for giving them incredibly
funny and incredibly honest things to say. It's marvelous.
Fall and Schafer have crafted a movie that is a wake-up
call to gay filmmakers. "Give us something new. Something
fresh. But something that isn't contrived or forced
or angst- ridden or a coming-out story, or bitter or
populated with nothing but pretty boys." Fall has set
the standard for gay movies of the millennium. Are gay
filmmakers up to the challenge?
Here is my favorite moment from "Trick." It comes near
the end, when Campbell and Pitoc are finally going to
get to kiss. (They are in, of all gay places, a men's
room, but Fall even solves this problem well). When
you see this scene, look in Campbell's eyes. You can
see all the joy and the sorrow of being a gay man right
there. Not pained, just real. Not "acted," just there.
Without words. Without script. With nothing but his
eyes. It's a beautiful, cloudless, moment; One that
doesn't come from the head. It comes from the heart,
like the film.
Official Site: http://www.trickmovie.com/
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