|
If
you can figure out what the fuck is going on
in "Syriana," you are either writer/director
Stephen Gagan or some pretentious schmuck who
is just as phony and pedantic as he is. What
a highfalutin piece of stinky ca-ca.
Gagan, whose previous claim to fame was that
he wrote the racist and overblown "Traffic,"which
Steven Soderbergh directed, is the force behind
the equally racist and overblown "Syriana,"
a film that purports to be about the business
of oil but is in fact about a group of four
or five interconnected but utterly uninvolving
story threads involving people who are somehow
or another connected to the Middle East and/or
the American government.
George Clooney, who loves political idealism
seemingly as much as he loves pussy, is here
in a mode so serious that it nearly makes us
choke. Adorable Matt Damon is here because he
wants to be taken seriously. Nice try you little
hottie. You're so adorable. Yes you are. Yes
you are. Boogie boogie boo! Ahem... er... where
was I.
Jeffrey Wright is here because he is a great
actor who is happy to get Hollywood money since
his amazing turn in the TV event "Angels in
America." Take every fucking cent you can get
Jeff. You deserve it.
Anyway, for all their good intentions, they
all fall prey to the all devouring pretension
that permeates this film. This piece of crap
masquerading as a film is so condensed and so
full of overly overt, earnest intentions run
amuck that it would take a three hour college
course headed by several professors just to
sift through the plot and map it out for the
"common" person to understand what is going
on within its 2 hour running time. I have better
things to do than try and decipher this academic
nonsense and I'm guessing you do to.
Notes:
Also with Christopher Plummer, Chris Cooper,
Robert Foxworth, Amanda Peet, Jamey Sheridan,
Max Minghella, Tim Blake Nelson, and William
Hurt.
Clooney and Soderbergh are producers.
Cinematography by Robert Elswit.
Score by Alexander Desplat who, along with Clooney,
is nominated for a Golden Globe.
Filmed in the U.S., Morocco, Switzerland and
the United Arab Emirates.
The film was cut severely after test screening
audiences complained about the running time.
Clooney gained 35 pounds for the film.
Viewed in Austin in December of 2005.
Report Card
Script:
F
Acting:
C
Cinematography\Lighting:
B+
Special
Effects\Make Up: C
Music:
C
Final
Grade: F
|