The Smith Family (2002)
If you want to see people living on the edge –
I mean really living on the fucking edge, man, then
“The Smith Family” is the movie for you. This is life,
man, raw, real, full-frontal, unvarnished life. This
is life on the fucking edge. You will not see a movie
more raw, more nervy, more eyes wide open. This is it.
When I tell you that “The Smith Family” is about
a family of devout Mormons trying to keep it together,
you laugh right. No shit. I'm serious. That's what this
documentary is about. But dig this: The dad is gay.
The dad has AIDS. We’re not talking about “living with
AIDS;” we’re talking full-blow, Beneton ad AIDS. We’re
talking skinny, skeletal, walking dead AIDS. The mom
is HIV positive. She is “living with HIV” though. It’s
hard to believe she is sick. She looks healthy and is
an amazing woman. The couple, the now openly gay man
and his wife, have two teenage sons. One is going to
Mexico for his missionary service. The other is in high
school. The church, the neighbors, the grandparents,
aunts and uncles, brothers and sisters, all know, of
course, what is going on.
The father here, Steve, is often made the villain
in the film. Why? Because he is gay and hid his sexuality
from his wife. Because he had gay sexual relationships,
got AIDS and transmitted the disease to his wife, he
is often considered a bad person by this film. That
is forgivable only because the film is made by a woman
and is told from the point of view of the mother/wife,
Kim. Kim is a remarkable woman, she is every-wife, every-mother.
We grow to love her in this movie and see what an exceptional,
wonderful, loving and strong woman she is. So often
she reminded me of my own mother. Kim chooses to stay
with Steve. She makes the hard choice.
Part of this is due to the fact that she is Mormon.
Mormons do not divorce. But part of this is also because
she loves Steve and she loves her family. Still, the
film allows her to splay her emotions all over the screen
and we see Kim as both strong and vulnerable, both true
and angry, both loving and bitter. Director Tasha Oldham
builds an incredible bond between herself (i.e. her
camera) and Kim. The wife and mother trusts Oldham,
trusts the camera, and, even in a way, trusts the audience,
to understand her choice, her faith, her heart and her
spirit. Her loving nature radiates out of this film
like sunlight. She is a beautiful woman.
This film evokes so many strong emotions. Watching
Kim and the two sons, Parker and Tony, love this man
dying of AIDS is heartbreaking. Not only do we see the
beauty in family and the beautiful struggle this family
goes through as Steve dies. But we see the struggle
of dying of AIDS. This film is a film about people living
every day as if it is the last. Every day is a milestone.
Every day is a new challenge and an obstacle to overcome.
And, as it is in all families, these milestones are
measured in little and big moments. Christmas 1999,
New Years Day 2000, Tony going to his missionary service.
We watch this family struggle to make the day by day
and struggle to make the moments. It is breathtaking.
Watching Steve LIVE through these important moments,
often almost too weak to walk, is amazing! Watching
his family love him. Watching his family and seeing
that they know he is dying. These are monumental moments.
And the sad idea that so many gay men died of AIDS with
no family, no love, sweeps over you like waves of raw
pain. This film focuses the fact that every day could
be the last. A truly amazing and unfathomable moment
comes when Tony, his teenage body buff and muscular,
carries his father, the skeletal man, nothing but skin
and bones and gaping eyes, up the stairs to his bedroom.
It is… words cannot describe what an image like this
makes you feel.
The story is told, in many ways, in flashbacks
of sorts. Although the film begins when Steve is very
sick, the story of his relationship with Kim, their
marriage, the birth of their children, their careers
and their religion is told in a flashback via old photographs
and old home videos. Here we see Steve as the virile
young man that he once was. This image, juxtaposed against
his present façade is made even more crystal clear when
his (healthy) twin brother comes and the two stand side
by side.
Steve journey is important to the film, although
it is told from Kim’s POV and, so, Steve talks about
his coming to terms with his homosexuality and how that
affected his marriage, his family, his faith and his
life. Kim explains that when Steve was healthier, he
spent hours on the computer in chatrooms talking to
other (traditionally) married gay men and other gay
Mormon men. A really surprising moment in the film comes
when Kim, Steve and their son Parker go to a gay pride
parade. Tony, the older brother, opts not to go, which
causes the younger Parker to call him a “wuss.” In these
moments Parker’s strength is phenomenal. In many way
he reminds one of Steve Couzel, the straight Boy Scout
who fights for the inclusion of gays in that organization.
Parker’s love for his parents is beautiful and his acceptance
of his situation is inspiring. "We’ve been dealt these
cards and we’re going to play them,” he quips. He has
only the unvarnished truth of youth to guide him and
it does not fail him or the family.
“The Smith Family” cuts with an undercurrent of
death that elevates it to the most supreme of life affirming
movies. This is a remarkable film. Oldham has proved
herself not only a brilliant documentarian but also
a very good filmmaker. Although her film skews the POV
to that of the wife, it nonetheless provides a valuable
life lesson about the power of family and faith.
Note:
Oldham began by making a documentary about women
in the Mormon faith but switched her focus on this one
woman after meeting the family. She shot over 120 hours
of film.
Seen at SXSW
2002.
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Report
Card
Content:
A+
Completeness: B+
Cinematography\Lighting: B+
Special Effects\Make Up: C
Music: C
Final
Grade: A+
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