Remember Count Floyd on "SCTV?" Joe Flaherty would
play this late night movie show host forced to show
lame-ass horror flicks. During station breaks, he would
come on and try to make things seem more scary by going
"Oh, it's so scary. Ahhh...." And then he would make
bug eyes at the camera. Of course, the films he was
trying to hype as scary were not. I pictured Flaherty,
as Count Floyd, trying the same schtick while watching
"Scary Tales."
Now, "Tales" is a little low-budget (make that
no-budget) flick by Michael A. Hoffman. It's one of
those silly "anthology" type movies, like "Tales from
the Crypt" or "Twilight Zone" where the film is really
comprised of 3 or 4 short segments. Here, we get three.
Sadly, all three are populated by the same un-watchable
main star/character, Bill Cassinelli who also co-wrote
this schlock. (And I'm being nice here. I just saw "Kung
Pow," so I'm willing to forgive almost any other film,
no matter how bad).
The first story is about a guy terrorized by dolls.
DOLLS! Oh, scary scary. WOOOO. Those dolls with there
unblinking eyes. It scares me. WOOOOOO...
Well, first, let me tell you about the silly connecting
tissue of the film segments. The premise revolves around
a dork and dofus and blue collar ugho named Dennis Frye
who is unemployed. He finds a flyer for a employment
agency in a convenience store and decides to check it
out. There he is greeted by Mr. Longfellow, played with
hilarious forced aplomb by Joel Wynkoop (the best thing
in the whole movie is watching him ham it up. I just
wish he would have went further over the top). Anyway,
Longfellow tells Frye about some job openings and then
runs a video to show him what the job would be like.
Of course, this first episode, with the SCARY DOLLS,
has absolutely nothing to do with the job of caterer
which Longfellow says this video is about. It's about
Frye driving home from work one day and clumsily running
over a little girl with his car. She holds a doll as
she dies (lucky for her - she escapes watching the rest
of this episode) and for the next ungodly long 20 minutes,
Frye is terrorized be dolls in his home. DOLLS!!!!!!
THEY'RE SO SCARY!!!! WOOOOOO!!! They don't do anything.
Just suddenly appear and sit there. Like, Frye takes
a shower and when he gets out, there are dolls next
to THE TOWEL. It's dull as fuck and the worst segment
in the film. I almost turned it off.
But the second segment started, so I continued
to watch. This one was about unrequited love and ASTRAL
PROJECTION. Astral projection. Oh Scary.... (I'm getting
tired of holding down the shift key).
The same dud character of Frye is, of course, here
and this time he is a used bookstore clerk. The film
takes eons setting up the story where Frye reads a book
about astral projection and decides to try it to visit
his love interest (a complete bitch) without her knowing
it (using astral projection) and to try and sort of
brainwash "vibe" her in her sleep to love him. Hoffman
does, at least, show some tits in this scene. How does
it end? Oh, we see the end coming for miles. But at
least, at times, there is some mild humor here. The
film, oddly, starts to become more tongue in cheek.
Apparently after watching the dolls segment, the filmmakers
and cast realized that they were making an unintentional
comedy. Occasionally this segment will evoke a giggle.
The final segment isn't any better. It has Edgar
Allan Poe. OHHHH EDGAR ALLAN POE. SCARY.... Wait! Poe
is scary. Well, not in the hand of Hoffman he ain't.
He ain't creepy or fiendish or ghoulish neither. He's
just, sort of, ummm dead. Okay, dead boring. As is the
idea behind this segment. Again, though, Hoffman somehow
inserts even more (meaningless) tits. Hey. Meaningless
Tits. What a great name for a band. I really wish I
could start a band and name them Meaningless Tits. That's
better than Crack Hamster or Retarded Star. I've always
wanted to have a band and play the anvil and sing into
a megaphone. Wouldn't it be cool to have a band in Austin?
Oh, wait. I'm doing a film review here. Oh yeah.
This film is pretty stupid and lame. But for a guy with
no budget seemingly just shooting his friends doing
stuff, it's pretty well done. Hoffman proves himself
fairly adept at making a film that looks fairly professional.
I mean, the actors are ugly and the horrid script sucks,
the pacing is way off and the film doesn't work as a
campy comedy or a horror film. But it looks professional.
Professional looking backyard DV features. Now
that's scary!
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