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Pinocchio (2002) (AKA Roberto Benigni's Pinocchio)

If you want your child to learn the F-word, take them to see Roberto Benigni's "Pinocchio." Oh, not because the famous Italian director's film is an intentional corruptor of children; it's rated G. But even the youngest, most sheltered child, upon seeing this glorious mess of a film will utter aloud, upon leaving the theater, "What the fuck was that?"

What's a film company to do? Mirimax was more than pleased to have any film Benigni made after his widely beloved (and massive grossing) "Life is Beautiful" was the hit of the season a few years ago. When Benigni announced that he was going to do "Pinocchio," their eyes must have lighted up with dollar signs. After all, the celebrity of Benigni was, by now, almost legendary due to the fact that his wild, crazy, uninhibited and, dare I say, child-like exuberance became so obvious at the Oscar ceremonies in 1999. Benigni was so popular he even rated his own "Saturday Night Live" skit. (Guest host Ray Romano played him hilariously).

Three years later in 2002, Mirimax execs were surely scratching their heads at what to do with "Pinocchio," a children's fantasy in Italian. The film is for children and aimed squarely at children, but it's in Italian. Kids in America don't speak Italian. They barely speak English! Subtitles aren't an option, as kids can barely speak English, let alone read it! What to do; what to do? There was only one answer: Dub it.

After all, hadn't that been the answer for years. Kids movies from foreign countries, especially prior to the video age, were always dubbed into English. So Mirimax dubbed the film. But in a move that can only be regarded as asinine, they picked the worst possible voices for nearly every character in the film, especially Benigni.

Benigni speaks English fairly well. Did they even try to get him to dub his own dialogue? Answers are hard to find. But Mirimax opted to pick the most incongruous, ridiculous and stupid voice imaginable for the part: Breckin Meyer. Now, I love Meyer; he's cute as can be and I've noticed his work since he did "Freddy's Dead." But his voice coming out of Benigni's mouth is so ridiculous as to move beyond absurd and become hilarious. It is the dumbest, most inane, most horrible thing Mirimax could have done with this film. They take what could be a delightful fantasy and turn it into a inept, asinine, ludicrous, horrible mess. Every luscious frame of this film will make you cringe when Meyer's "Hey, dude" California surfer's voice magically spews from Benigni's notorious face. What a sad state of affairs, indeed.

It is impossible to appreciate anything in "Pinocchio" because of this. The visuals can be stunning but if they aren't being ripped to shreds by Meyer's incongruous voice popping out of the speakers, then they are being distracted from as the adult audience plays a guessing game as to who's voice they are hearing. Isn't that Topher Grace? Isn't that Queen Latifah? That's definitely Regis Philbin. And so on and so on.

Will this disturb kids? Well, truth be told, "Pinocchio" isn't really for kids. Benigni has made the film his own and American kids just won't appreciate his antics or the visual tenacity of the film. They will be scratching their head trying to figure out how this man older than their parents is suppose to be a boy. Even if the opening narration (in English) suggests that we are visiting a magical place where a "boy can appear to be a man" just like "adults can act like children." I'm not saying kids are stupid. I'm not. But kids are too smart and too worldly in this time of Disney proliferation to ever fall for this kind of weird and confusing dubbed Italian kids films. Hell, we knew films like that were crap when we were kids too. We only watched them because they played on Saturday mornings at the local (one- screen) theater and we could go hang out with our friends and goof off. Those days are long gone, my friend.

And then, of course, there's the idea of the bouncy, idiotic, Benigni as a supposed puppet. He doesn't even look like a puppet. He looks like Roberto Benigni in an Italian clown's costume. (I can't remember the name for these. You know, Bowie wore one on the cover of "Scary Monsters" and in the video for "Ashes to Ashes"). He looks ridiculous. And while his bouncy, bouncy, goofball antics may be recognizable to adult fans (but not really appreciated by them), they will seem stupid to children. The story of "Pinocchio" is one that kids will find magical for years to come. The fact that it is Italian (the story's native language) makes the failure of this film even more heartbreaking. Mirimax is no Disney.

If you want to be cinematic about it, I suppose you could say that this film attempts to harken back to a more innocent age of children's films. It pays homage, in a weird and perhaps even unintentional way, to all those foreign kid's movies we saw as children. Trouble is, when it harkens, nobody's home.

Hopefully the DVD of this film will offer subtitles and dubbed and non-dubbed options so that the viewer will be allowed to decide if he or she wants dubbed voices or not. I'm betting they won't. Hey, you could rent the DVD, play it in Italian with English subtitles and then read it to your kid. It's a whole new teaching tool: Hooked on Benigni.

Note:

Also with the voices of John Cleese, Glenn Close, Eddie Griffin, Cheech Marin (without a Mexican accent!), Eric Idle, Jim Belushi, and Kevin James.

Also with Nicoletta Braschi (aka Mrs. Benigni).

Script by Benigni and Vincenzo Cerami. Based on the 1880's novel by Carlo Collodi. English dub dialogue by Brendan Donnison whose previous work was mainly voice casting for ADR looping.

Released in Italy in October 2002 and on Christmas day in the U.S.

Disney's animated "Pinocchio" was released in 1940. An interesting anecdote: Disney hired several midgets to "frolic" in Pinocchio costumes on top of the marquee when the film opened. At lunch, someone brought the diminutive actors lunch and some alcoholic refreshment. Before long, all of them were naked and frolicking drunkenly in public view. The police were called and they were arrested and removed in pillow cases.

Viewed in December 2002 in Austin.

Report Card

Script: F

Acting:
D-

Cinematography\Lighting:
A

Special Effects\Make Up:
A

Music:
C

Final Grade: F

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