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The Matrix Reloaded (2003)

I can see why they called this "The Matrix Reloaded" after watching it. It's obvious the Wachorsky brothers are "loaded" on Hollywood power. They make this film as if they were suckling on the tit of George Lucas, which is a grandiose mistake. I know the new "Star Wars" movies make a buttload of money but does anyone really think they are great films? I guess it does matter to the Worshicster brothers. They obviously are just interested in making a crapload of cash. Fuck making a good movie!

It is obvious that the Brothers W think George Lucas and Peter Jackson and Stanley Kubrick and a few other directors are DA BOMB; after all, they emulate many of these guys to obvious effect. The most obvious is Lucas, with the film's ridiculous plot of futuristic societies made up of weird dressing captains and counselors and the like. Watching a tribunal sequence in the early stages of the film is exactly liking watching a scene out of Lucas' latter-day, crappy "Star Wars" films. The bombastic and pretentious pomposity of this film is just stunning in its ridiculousness. I think the Worimsky-Korsikov brothers have been hanging out with "Star Wars: The First Generation" star Larry Fishburn and smoking some big fatties over at Skywalker Ranch. (And the DJ says "Back to life... back to reality...")

It's obvious almost from the beginning of the film that we are in for a cruddy ride. An early "rave" sequence begins with one of the most bloated and overtly pompous speeches by LAWRENCE Fishburn. When he threw up his hands and yelled "Silence" during the screening I was attending, my friends and I actually laughed out loud. It was just so inane. But even worse was the 10 minute music video montage that followed that featured a bevy of muddy, underground, Woodstock 99 ravers dancing in slow-motion (with numerous muddy, naked tits a-jiggling!) while KeaNeo and Carrie Ann Moss fucked in the most ludicrous sex scene to be in a Sci-Fi film since the 70's. This sequence is pure and utter garbage and a complete waste of time.

Why did the Worchowsky brothers waste so much time with this utterly puerile and pointless bullshit when they should have been explaining all the plot that has been taking place since the last film? To point out the inequities of this, notice the cute, young Zion dweller who has supposedly been "saved" by KeaNeo and who wants to join the crew of Fishburn's ship, the Somnabulist-kenezer. Who the fuck is this kid? What the fuck is his story? The Workorkscrew brothers don't bother to tell us. Apparently they think we've all been on-line gathering information and watching the "Animatrix" stuff and playing the video games. (This film is aimed at only the most over-zealous of fans, the ones who have adopted "The Matrix" as their cult and religion). They think we are as versed in the lore of "The Matrix" as the hoards of losers who went to see "The Lord of the Rings" fifteen times are verse in the lore of the Hobbits. (Fifteen times! As if Peter Jackson needed more money for food, whores and cigars!) Hello! Worcoffee brothers - you are not Tolkein! Duh!

And what's up with KeaNeo and Moss? They are all over each other like two dogs in heat in this movie. In case the Whorenski brothers don't know, lustful groping and humping on each others legs is not an adequate depiction of real love. (Of course, you can't explain this to brother Larry who recently left his wife of 17 years for a professional dominatrix. She apparently had great impact on the costume design of the film as well. How many fucking cows had to die for all the leather gear in this piece of shit?) Anyway, KeaNeo and Moss break into a lustful grope every fifteen minutes during the film. It was all I could do to keep myself from yelling "Get a room!" at the screen five times during the screening I attended. Of course, latter in the film, the leather-clad duo actually GOT a room and rutted even more maniacally.

The acting in this film is just horrible. Then again, so is the script. Fishburn thinks he is doing some sort of modern day Shakespeare and delivers his lines with the intensity of a summer stock actor whose been raised on nothing but pork products. Keanu can't act, of course, but at least still looks young enough to be cute even in close-up and slo-mo. Moss is given almost nothing to do but shoot guns and fuck Keanu. Nobody else in the cast really matters. Jada Pinkett- Smith has even less to do than Moss. There's some really bland stock characters like hordes of stereotypical Asians and an albino Milli Vanilli. A funky French guy in the middle of the film provides some comedy relief but it certainly doesn't fit into the film in any way, shape or form.

The script here is just horrendous. How about that long-ass, stupefying speech given by The Source (AKA God) in that scene at the end of the film? This is a complete rip off of the end of "2001" except that Kubrick said exactly the same things without having anyone utter a single word of dialogue! The ludicrous soliloquy we get here is so paradoxical and such a conundrum that it would take 30 English scholars 7 days and 7 nights to figure out exactly what in the hell The Source is saying. It's just plain old stupid!

The action scenes are quite good with an extended romp between KeaNeo and several of the Mr. Smith clones kicking the movie (finally) into gear about 20 minutes in. It's a shame we have to wait this long to get to a good scene. Of course, the whole time the inane but hip looking fight is going on we wonder why KeaNeo doesn't just fly off. After all we've been watching him fly around like Superman since the film started. Really, Marvel Comics should fucking sue. This stuff is a complete rip-off of the caped crusader. Anyway, after a stupid fight between KeaNeo and some Asian guy ("you cannot know someone until you fight them" - what horse shit) there's a really cool and elongated chase sequence on the freeway at the heart of the film that makes all the psychobabble and theological bullshit fall to the wayside. This scene is cool as fuck and worth every penny of the ten bucks you spent to get in.

The best part of both "Matrix" films, after the intense action scenes, has been the appearance of The Oracle. Here, she is given an even bigger part and is even more of a joy to watch. Too bad she starts delving into the same old stupid bullshit dialogue that has deflated this second film.

"The Matrix Reloaded" is one of the crappiest movies I've ever seen. Wait for the DVD and fast forward to the action scenes. Hell, you can even play them with the sound down and put on your own favorite music. The effect will be even more entertaining. Unless, of course, you enjoy verbal puzzles.

Note:

Also with Gloria Foster and Hugo Weaving.

Pop singer Aaliyah was to play a role before her death in a plane crash. Some of her scenes were re-filmed. Foster, the Oracle, also died before filming any scenes for the third installment of the film series.

The film was sometimes referred to "Matrix 2" before the final title was decided upon.

Filmed over a two to four year period (depending on who you ask) along with "The Matrix Revolutions" (Matrix 3) which is slated to be released in November of 2003, just six months from now.

The highway scene was filmed on a specially built 2 mile loop of freeway. Constructed on a decommissioned naval base. The price tag for the structure alone was over two million dollars.

Filmed in Australia and California on a budget of 127 million dollars. The film made more than that during it's four day opening weekend. The film opened on a Thursday, as did "Star Wars 2."

Music by Marilyn Manson, Paul Okenfold, Linkin Park, and Rob Zombie. Don Davis is credited with the score.

Report Card

Script: F

Acting: C-

Cinematography\Lighting:
B+

Special Effects\Make Up:
A

Music:
C+

Final Grade: F

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