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Notes: Some spoilers
I can't believe how much I loved this movie.
I thought it was going to be your typical standard
slasher flick fare with openly gay guys supplanted
as the victims. I figured this was going to
be another one of those films where gay guys
have hot sex then have to be killed in some
sort of retro- "Cruising" styled slasher films
that just make me sick. "Hellbent" is nothing
of the kind. This is an interesting story with
interesting characters and a cast of cuties
that can not only make your cock hard but can
also act!
The best thing about the characters are
that they are not stereotypes. The film revolves
around four friends and roommates who go out
together on Halloween night. Dylan Fergus (most
recently on "Passions") is adorable as Eddie,
the son of a cop whose sister is having more
success on the force than he. Eddie dresses
up in his dad's uniform when he gets the call
from the captain at the squad to hand out some
flyers after two young gay men are decapitated
in the film's sexy opening sequence. Eddie is
hunky (he looks like Tom Welling's cute fraternal
twin) and sweet and when the film has him trying
to hook up with rebel biker Jake (Bryan Kirkwood,
Melissa Joan Hart's ex) we can't help but be
on his side.
Eddie's friends include the sexy bisexual
Chas, (Andrew Levitas of "Psycho Beach Party")
who seems destine to sleep with every guy and
girl who gets in his path, and Tobey (Matt Phillips),
a model who has chosen this particular Halloween
to go drag. But the truly adorable one in Eddie's
clique is Joey (Hank Harris, the retard in "Pumpkin"
and the hottie in TV's "Popular). Harris is
scrumptious and when he gets all decked out
in titillating S&M gear I defy any gay man with
his eyesight still intact not to get rock hard.
It was all I could do not to end up with a hole
in my jeans at the crotch just watching him
in this film. The only bad thing about this
film is that he is the first to die. I could
have looked at him for hours.
The guys who play the gay friends here
may not be gay in real life but their performances
here are enough to make them honorary members
of any gay brotherhood in the world. These guys
are not only hot, but they're also playing just
regular guys who happen to be gay. No one is
a stereotype. No one is butch or fem or a queen
or a priss. No one is anything but just a regular
guy who happens to be gay. I know that sounds
like something someone who writes about films
would say without knowing what he is talking
about but I promise you that is not the case.
There is not one thing in this film that should
offend even the most sensitive gay guy. I'm
telling you, I wanted to hate this film. I was
expecting to get home to my trusty little word
processing program and rip this film a new asshole
like hillbilly reenacting the "squeal like a
pig" scene from "Deliverance" with his little
cousin, but that was not to be. This film surprised
me in a positive way at every step.
Truly the best thing about the film, however,
is the final romantic moment in the film. I
hope you have seen this film before you read
about it because I would hate to ruin the conclusion
of this film for you. "Hellbent" ends with what
may very well be the most wonderful gay kiss
ever to be included in a gay film. As a gay
man I was utterly frustrated and almost angered
by the character Jake's refusal to kiss Eddie
as they begin to have sex in the film's final
ten minutes. But this refusal leads to a kiss
at film's end, when Jake has fallen in love
with Eddie, that will fill your heart with the
same joy and awe that filled it with your own
first gay kiss. That alone is worth the price
of admission.
Who knew a gay horror film could be so
wonderful. Writer/director Paul Etheredge-Ouzts
should be proud of himself. It's rare, if not
downright groundbreaking and never before accomplished,
that a film filled with blood and gore and death
and mutilation is also the most dreamy gay movie
of the season. "Hellbent" may very well herald
the dawn of a fresh new genre in gay films.
Notes:
Also with Jazzmun in a small role.
A song by Paul Lekakis is included and
he has a cameo in the film.
At least the forth film to have this name.
The film debuted at the San Francisco International
Lesbian and Gay Film Festival in June of 2004.
It has played in many festivals. Picked up by
here! Films (sic) who had already began an arthouse
release of the film before I saw it at The Arbor
in October 2005 during Agliff with my friend
Johnny Oh!
Report Card Script: A+
Acting: A+
Cinematography\Lighting: B+
Special Effects\Make Up: A-
Music: A-
Final Grade: A+
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