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Gigli (2003)

Gigli "rhymes with really," the titular protagonist likes to remind us. As in REALLY GAY.

Seriously, I was shocked. After months of Internet speculation and tons and tons of bad press, I just had to see "Gigli." After all, this was going to be the worst film of the year! I had to see it and see how truly, deliciously awful it really was. I was practically salivating with anticipation thinking of the pearls of humorous wisdom I could write about the film. And then, surprise, surprise... I liked it. The film isn't bad at all.

Sure, there are some problems. Affleck comes across as one of the worst actors of our time. But then again, his character is supposed to be sort of a bad actor. He's full of false bravado and society-enforced machismo, so we know that he's a phony. Who better to play a phony than a bad actor? J-Lo has some really horrid lines including the oft-mentioned "Turkey time" quip but, dammit, I just can't help but like her.

And, still, Louis Venito is just ugly and unwatchable. His character is supposed to be unsavory but Venito is so ucky as to make his scenes nauseating. And Christopher Walken and Al Pacino drop by to play their typical cinematic personas (that is: playing hoods) in some extended scenes that just make you want to kill yourself. Worse yet, the whole film, with its retarded character played by Justin Bartha, seems like a bad amalgamation of "Rainman" meets "Goodfellas." It seems like the kinda thing Buck Henry might have pitched at the start of "The Player 2: The Player Plays Another Round"

But under all of these problems lies the heart of the film, a sweet and surprisingly complex looks at the sexual politics of a relationship between a man and a woman both of whom have a few issues. Affleck's character may be a goombah (however you spell it) but he ends up winning us over when the cracks in his cheap veneer begin to show, exposing us to a gentle, hurt and scarred soul. J-Lo, likewise, has a tough as nails exterior, but we come to like her because we see she feels the same way we do about Affleck's character. As the two edge ever closer to consummating their relationship, we want to see them hook up and recognize that within each of them is the power to make the other a better and more fulfilled person.

Still, with J-Lo's character proclaiming herself a lesbian (but, in actuality being admittedly bisexual), her desire to bed Affleck's Gigli seems highly unlikely. We might accept this more readily if a rabid and rather sadly stereotypical lesbian character didn't show up professing her love for J- Lo's Ricki. If this wasn't bad enough to make lesbians in the audience hate the film, then J-Lo's somewhat uneasy conversion to hetero sex in the film's midsection surely will. Even with the likeable characters and the interesting sexual role playing that goes on between the two, the underlying message here seems to be that: a) lesbians are fucked-up and b) all they really need is a good dick inside them and they will convert. Not being a lesbian myself, I didn't have much trouble with this film but that doesn't mean that lesbians wouldn't be right to be up in arms and angry about "Gigli." It does not do them justice. (If Gigli was a gay man and a straight female converted him to heterosexuality, I would hate this film. However, if he were admittedly bisexual...)

"Gigli" isn't the best film in the world. The acting is bad. The dialogue is terrible. The direction is hackneyed. The cameos are annoying and the stereotypes can sometimes seem insipid, not to mention far too politically incorrect. But for those who want to see it, the film has, at its core, an interesting love story about a man and a woman who find each other under all the bullshit. And there is something valuable in that.

Note:

Also with Laine Kazan.

Directed by Martin Brest, who I will never forgive for the horrid "Scent of a Woman."

At one time the powers-that-be considered releasing this with the title "Tough Love."

Affleck and J-Lo are, of course, a couple in real life. They have another movie coming out together, Kevin Smith's "Jersey Girl," (currently) due in March of 2004.

In earlier versions of the film, Gigli died at the end. Test audiences hated this and the actors were called back for a re-shoot.

At one time Halle Berry was in talks for the J-Lo role.

Viewed in Pflugerville in August 2003 with my roomie Amanda.

Report Card

Script: C+

Acting: C+

Cinematography\Lighting:
C

Special Effects\Make Up:
C

Music:
C

Final Grade: C

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