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The Corndog Man (1999)

Wow! This is one of the most interesting and unique films I have ever seen. I have to give props to John Christensen, who helped choose this film for the 1999 Austin Film Festival. It's one of the most engrossing films I've ever seen. Noble Willingham, an older actor whose face is far more recognizable than his name, is a powerhouse here. This is a performance driven piece and Willingham makes every single second of the film his own. His performance is so compelling that we never once grow weary of the film.

Too bad the finale of the piece is such a letdown.

But the other 95% of the film is so freaking awesome. Willingham plays a good-ole-boy who is, suddenly, plagued by a weird phone caller. At first the voice on the line seems friendly enough; He asks a lot of questions about the boats that Willingham's character, Ace Barker, sells for a living. But soon his calls become more and more strange, obtrusive and creepy. Willingham eventually has his life turned upside down by all this.

Writer/director (and producer and editor) Andrew Shea is wonderfully adept at making the film compelling and intriguing. His film maybe slightly claustrophobic and overly verbal, but Shea uses these inherent directorial problems with the script to his advantage. His film is just stagnant enough to be cohesive, just wordy enough to keep us involved.

"The Corndog Man" eventually begins to show that it has a theme and a plot. It's theme is racism. But the film tries so desperately to be subdued, and it is, that when the corny and overt ending appears, it doesn't quite work. It seems to me there could be a better resolution here.

Still, nothing could negate Willingham's performance. It's a shame this film may never see mass release, because Willingham's work here is top notch. This is going to be one of those little seen gems that those in-the-know will talk about for years to come.

Note: Willingham was nominated for a Best Actor Independent Spirit Award.

Co-scripter and co-producer Jim Holmes voices Willingham's phone nemesis.

Music Supervision by Elliot Easton (of the Cars?)

Filmed on location in South Carolina using a budget of about $250,000.

 

Report Card

Script: A

Acting: A+

Cinematography\Lighting: B+

Special Effects\Make Up: B+

Music:
C+

Final Grade: A

 

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