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Control Room (2004)

A few weeks ago, some pictures started popping into the popular American consciousness. These were pictures of Middle Eastern men and women being dehumanized, degraded and victimized, often sexually, by American soldiers in an Iraqi prison. The public outcry was astounding. Americans expressed disgust and outrage over the treatment of the captives. To this I say: What a bunch of fucking hypocrites. HELLO! It's a fucking war! Did you think we were going to send over our American military (also known as America's teenage leftovers) and they were going to be on their best behavior? Again - we are at war here people! Terrorizing, humiliating and abusing prisoners is exactly what happens in a fucking war. Dumbasses.

"Control Room" is an incredibly biased and fascist film, a purported documentary it is in actually an unamerican diatribe, that does everything in its remarkably limp power to try and make the American military and President Bush look bad. The film is supposedly a "documentary" about Al Jazeera, the Iraqi TV news network, sort of the Middle-Eastern CNN, and how the recent military invasion in that country has affected them.

Instead the film loves to focus on the American military communications organizations and show just how they use, abuse and manipulate the media to present their point of view in a positive light. In other words, the film is about how the American military and the Bush administration uses propaganda to make themselves look good. The documentary decries such actions and repeatedly points out obvious manipulations made by the military liaisons to the media to skew the news from Iraqi. Again, to this I say: HELLO! It's a fucking war! The use of propaganda in wartime is about as likely as the use of guns. No one with an IQ over 20 is unaware that we are engaged in propaganda during wartime.

It's not that I'm a big Bush supporter (I hate his fucking guts, actually) or that I'm a big military supporter (although I do feel sorry for these teenagers who have no other option for employment other than making fries at McDonald's or joining the military). It's just that this film is the very propaganda it decries. To see the "employees" of Al Jazeera act shocked and outraged by the American military's manipulation of the news is laughable. They are either insanely ignorant or they are trying to incite bad feelings towards America and its citizens by portraying faux shock and outrage. These people cannot be so naive as to truly be surprised, they spent several years living under Saddam's evil hand for goodness sake, so the only option to consider here is that they must be engaged in reverse propaganda.

What is funny, or perhaps odd, is that the true star of "Control Room" turns out to be American military member, Lt. Josh Rushing, who runs CentCom, the command center for the media in American-occupied Iraq. Rushing does not become the star because he is the only American in the film, but because he is the only one who comes across as intelligent and human. His personal reflection at seeing images of war are poignant and humane. It's impossible to see this film and not like the guy and he is supposed to be the fucking villain.

The Iraqis here are nowhere near as likeable or as smart as Rushing. The best of these is a transplanted, seemingly British, reporter for Al Jazeera who speaks in circles as he tries to interrogate Rushing under the pretense that he is trying to help him understand the Iraqis. We never really know who this guy is or why he is in Iraq or what motivates him. Meanwhile, the most wonderfully insane and comical character in the film is Samir Khader, an Al Jazeera bigwig who reminds one of Martin Short's businessman being interrogated on "60 Minutes" in a spoof from "SNL" in the 80's. ("I know that. Don't you think I know that?") Khader smokes incessantly as he always has a cigarette dangling from the lips of his atrociously ugly, pineapple pock-marked face. He is a real idiot, the kind of guy who spends one minute telling us how awful America is and the next saying he will send his children to school in the states, no matter what the cost.

"Control Room" is the worst kind of documentary, a biased and sophomoric film that enlightens only the idiotic and naive. It repeatedly makes the same pointless points over and over and expects you to react with the same righteous indignation that it simulates throughout its thankfully short running time.

Notes:

In English and Arabic with English subtitles.

Directed by Jehane Noujaim.

The film debuted at Sundance and already seemed dated by its arthouse release in May of 2004.

Viewed at a press sneak at the Dobie theater in June 2004.

Report Card

Content: F

Completeness: F

Cinematography\Lighting:
C

Special Effects\Make Up: C

Music:
C

Final Grade: F

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