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Confessions of a Dangerous Mind (2002)

How many young minds did Chuck Barris really warp? The number must be huge. Barris, a raconteur of television, created numerous titillating game shows in the late 60's and early 70's which were enormously successful in riding the crest of the sexual revolution into American's homes. Indeed, he may very well be responsible for the epitaph of "Boob Tube" being assigned to the magic box.

I remember as a child not even being allowed to watch "The Newlywed Game." Left unsupervised as an adolescent teen, of course, I reveled in the pure naughtiness of the questions and answers when I finally got to sneak peeks at the show.

And then in the late 70's came "The Gong Show!" A masterpiece of the talent show in perverse reverse, "The Gong Show" was a messy, iconoclastic, freaky train-wreck on daily TV. Barris became even more of a pop star as its host. Seemingly all smiles in the role, the popularity didn't set well with the quiet and shy Barris or "Chuckie Baby" as he became known to his legion of fans.

I myself simply loved "The Gong Show." Its irreverent mix of bad talent, cheesy comics, goofy celebrities and outrageous moments kept my attention more than anything else on TV, more even than Kate Jackson or Kristy McNichol. (Lance Kerwin may be another story). My favorite part of the show, without a doubt, was the appearance of Gene Gene the Dancing Machine. A rotund black man dressed in driving cap and jogging suit, Gene Gene always shuffled rhythmically onto the stage as the same music began and the crowd would go wild in a seeming unrehearsed orgy of dancing and throwing of hands into the air. The music that accompanied Gene and signaled his arrival became an anthem of unadulterated joy to those of us who loved him.

Gene Gene appears briefly in "Confessions of a Dangerous Mind" as does Jim Lange (host of the "Dating Game"), Jaye P. Morgan (from the "Gong Show" panel), and Dick Clark, in a modern day interview where Barris is discussed, giving the film the historical context it deserves. Gene Gene now has artificial legs with no explanation given as to what happened to him. Barris, as he is today, appears at the end of the film. Grey-haired and bespectacled, Barris still seems as unassuming and as shy as he ever did. His recent talk-show appearances prove this to be so.

By now, the cult memoir on which this film is based is legendary. But just in case you've been holed up in a cave, or stuck on CNN watching the news about wars and space shuttle crashes, here goes: Barris claims, in his "unofficial autobiography" which bares the same name as this movie, that he was a CIA operative. He claims that his "cover" as a TV producer/chaperone of winning "Dating Game" couples allowed him to travel to foreign lands and kill for the CIA.

Neophyte director George Clooney, who gives himself a plum role in this film, uses the dichotomy of Barris' claim to give the film a really unique and cool look. The "reality" based moments, where Barris works in TV and attempts to have a relationship with Drew Barrymore's Penny, are as authentic and realistic as any period piece ever made. (Think "What's Love Got to do with It.") The colors pop with a mod 60's and crass 70's color palette. Meanwhile, the espionage sequences are almost bereft of color; cold, black and grey, grainy film moments that evoke the cinematic thrillers to which they pay homage.

Everything about "Confessions of a Dangerous Mind" is right on target. Clooney's direction is cool and perfectly paced. Charlie Kaufman's script is witty, savage yet tender. The props, sets and costumes are perfect in their verisimilitude. But nothing is as right-on-target as Sam Rockwell's Barris. Rockwell nails it. If we have any doubt at all about his performance (and we don't), they are waylaid when "The Gong Show" segments come around. Our most familiar images of Barris as host are recreated with an amazingly intricate perfection. Rockwell is, however, more than mere mimic and he brings real depth and clarity to Barris. He makes all that happens here seem totally believable and real.

Rockwell is not only helped by Clooney's direction and Kaufman's script, but, of course, by his amazing co-stars. Clooney is simply perfect as the FBI agent who recruits him into the agency. Barrymore is the most likeable 'ho to grace the screen since Julia Roberts in "Pretty Woman" and Julia Roberts, meanwhile, proves that "Rocky and Bullwinkle" would have been a completely different movie if Rene Russo had never been born and she had gotten the role of Natasha. Folks like Matt Damon and Brad Pitt pop up for an occasional inside joke. And the tertiary cast, including Rutger Hauer and many seeming unknowns, is quite good. Everything just works here.

"Confessions of a Dangerous Mind" works best because it could only come from the mind of Chuck Barris. Guessing whether or not this is based on reality is surely one of the greatest cinematic, pop-culture parlor games to be played in 2003. Let's face it, chances are that his story is total fabrication. Then again, if it were true, the only way Barris would still be alive is that his fame and public persona leads us to believe that he's just full of shit. And wouldn't that be the perfect "profile" for a government assassin? Someone who nobody believes anyway... Either way, it makes a helluva good movie.

Notes:

Rockwell spent several weeks with Barris preparing for the role.

David Fincher and Bryan Singer were both considered for direction. A plethora of stars wanted the role of Barris at various times including Mike Meyers, Ben Stiller and Johnny Depp.

The clip from the "Newlywed Game" where Bob Eubanks asks "What's the weirdest place you've ever made whoopie?" is a real clip that was censored in the original airing of the show and then disappeared for several years. It was kind of considered an urban myth that it had even occurred for several years.

Barris' other TV series include "The Game Game," "The Rah Rah Show," "Operation Entertainment," "The New Treasure Hunt," "The $1.98 Beauty Pageant," and "Three's a Crowd."

Viewed in Austin in February 2003.

Report Card

Script: A+

Acting:
A+

Cinematography\Lighting:
A+

Special Effects\Make Up:
A+

Music:
A+

Final Grade: A+

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