The Chateau (2002)
Improvised around an outline by director Jesse
Peretz, “The Chateau” is a marvelous look at a culture
clash. I’ve always loved languages (though I only know
English and a very small amount of Spanish) and watching
the American characters here struggle with French is
just hilarious and beautiful. Peretz makes it even more
amusing by playing with the subtitles to show us just
how bad their French is.
The plot of the film centers around two American
brothers who inherit a French chateau, a castle, from
a long-lost uncle. Paul Rudd is exceptionally brilliant
as Graham, the nerdy, artistic type (he could have come
from Austin) who is in therapy and never seems to be
able to say the right thing at the right time. Rudd
mumbles and stumbles his way through the film like an
American relative of Peter Sellers’ Inpector Closeau.
Meanwhile Romany Malco as Allen, Rudd’s adopted black
brother, is a modern Uncle Tom cliché threatening to
burst at the seams. A self-made man, Allen sells medicine
for the penis (he calls himself a dick doctor) over
the Internet and prefers to be called Rex.
When the brothers arrive in France to see their
chateau, they are surprised at the staff remaining in
the castle who expect them to be their saviors. The
chateau, you see, is in need of much repair and has
several debts to be paid. Here is where the wonderful
culture clash begins and it goes beyond the simplistic
Americans vs. French to include also class structure
and wealth as well. The brothers also fall for the young
housekeeper, Isabelle, compounding not only the culture
clash but the hurt feelings between the adopted siblings
and the decision making process in what should be done
with the estate.
Amusing, charming and bursting with energy, “The
Chateau” only suffers from an ugly DV to 35mm transfer.
Often, especially in dark scenes, the film looks grainy
and dark. But, perhaps, this is just another symbolic
metaphor of the film’s look at wealth, status, social
structure and colonialism.
Note:
Also with Donal Logue.
Seen at
SXSW 2002.
To be released by IFC in May 2002.
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Report
Card
Script:
B+
Acting: A+
Cinematography\Lighting: D-
Special Effects\Make Up: B+
Music: C
Final
Grade: A-
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