Billy
Elliot (2000)
"Billy Elliot" does exactly what you think it will
do. But the playing out of this wonderful and inspiring
story is the real joy of it. Foreseeing it's obvious
outcome does not injure the film in the least.
The film concerns the titular young man, played by
the exceptionally talented Jamie Bell. It's 1986 and
things are tough for the 11 year old boy. His father
and older brother are coal miners suffering through
a strike, his grandmother is getting older and more
senile as the days pass and his mother is no longer
alive. Billy tries desperately to fit in and make sense
of life while an exceedingly obvious love of dancing
begins to envelop him. Caught in a patriarchal household
and industrial working class world with no ability to
express himself artistically, Billy's love of dance
is kept secret from all but one ballet teacher, Miss
Wilkinson, who sees much promise in her young pupil.
What is most amazing about "Billy Elliot" is that
it becomes not only about a boy's struggle to find himself
in this world, but it subtext becomes about sexuality
and finding yourself in this arena as well. The film's
gentle surprises involving Billy's young friend Michael,
played wonderfully by Stuart Wells, becomes as much
a metaphor about acceptance and tolerance of those different
than the norm as can be imagined. "Billy Elliot" is
a plea for allowing young people to express themselves,
to explore the world and their place in it, to find
themselves and become comfortable in their skins. It's
a beautiful and astounding work of art in this arena.
Yes, the script by Lee Hall is awesome and this is
surely a major part of the film's success. But the plot
works so well because Bell is, without a doubt, one
of the most talented and charming young performers to
ever grace the screen. If his impish smile and hungry
eyes do not win your heart than his expressive movement
and unflinching determination will. Watching Bell dance
is nothing short of awe inspiring. This young man puts
every ounce of energy into his performances. He works
so hard in the film that he often grunts in his exertion
due to his seeming overwhelming desire to express himself
through movement and dance. A scene where Billy, in
pain - and angry about his predicament, dances as hard
as any dancer we've ever seen, is a particular standout.
Bell, as the character, seems to be unable to stop himself
from moving. It's as if his emotions and anger have
taken control of his body and his mind is no longer
in control of his muscles. Bell dances with a fury and
a passion not seen in 50 years. It will amaze you!
Director Stephen Daldry is wonderfully adept at every
aspect of the film. The drama, the comedy, the joy and
the angst of the piece are consistently expressed through
some of the most imaginative and delightful dance sequences
ever filmed. That Daldry sets these dances to modern
British rock is pure joy. Watching Bell move through
songs by The Jam and The Clash as well as the oft-used
T-Rex is exhilarating stuff. Daldry allows the drama
(and the amiable comedy) of the film to act as backdrop
to some of the most passionate and breathtaking dance
sequences ever seen.
The actors surrounding Bell consistently do everything
correctly. They have the power here to create a world
for Bell's Billy to exist, one which allows his talent
to flourish, and their support of his work through their
performances is simply wondrous. Julie Walters plays
Billy's dance teacher, a crusty yet lovable middle-aged
woman who gives her all to the boy. Walters hasn't been
as predominantly seen in a movie since the roles were
switched in her 80's outing "Educating Rita" and she
was the student rather than the teacher. She, like all
of her costars, are welcomed participants in this delightful
film.
But the true star of "Billy Elliot" is, of course,
Jamie Bell. As masterful and delectable as his dancing
is, it is his characterization that truly wins us over.
Watching this brilliant young actor move through this
plot will fill your heart with joy and love. It's a
remarkable film. "Billy Elliot" doesn't just make you
want to dance, it makes you want to cry and love and
hope and dream as well. It fills you up emotionally
in every way. In this, it is glorious.
That this film is rated "R" is yet another travesty
of an increasingly pointless America ratings system.
Yes, the film uses the word "fuck" quite a bit and there
is some sexuality included, but this is a film every
young person should be allowed to witness. It's remarkable
in it's ability to open our minds and our eyes. It is
nothing short of a celebration of the human spirit,
the beauty of existence and the joy that comes from
being allowed to truly be yourself. Isn't that what
America is supposed to be about?
Note:
Bell has been dancing since he was 6. He is from Bellingham,
England and publicity for the film says his story parallels
that of Billy in that "he has successfully hidden his
dancing talents from all of his classmates. Bell was
cast after the filmmakers looked at over 2000 young
men for the lead.
At one time the film was known as "Dancer." The title
may have been changed to avoid confusion with the film
"Dancer in the Dark," which was released around the
same time.
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Report
Card
Script:
A+
Acting: A+
Cinematography\Lighting: A+
Special Effects\Make Up: A+
Music: A+
Final
Grade: A+
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