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Beyond the Sea (2004)

It's just too easy to consider Kevin Spacey a pompous ass when you watch him in his vanity project, the life story of Bobby Darin, "Beyond the Sea." Spacey hires a young actor to play Darin at about the age of ten but decides to perform the role of the teenage and 20-something Darin himself. It's laughable. He tries to make a joke of it by including a comment on Darin playing himself in a movie at an older age but it just doesn't work. Until the last half of this film, Spacey looks like a fool. When he woos young Kate Bosworth (who looks like a Jessica Simpson clone) as Sandra Dee, he really looks silly. Spacey has got to be 45 years old and Bosworth barely looks 18.

For the first half of this film, we question why there should even be a Bobby Darin biopic. I was born in 1963 and I barely remember the performer. I know he did "Mack the Knife," but I really don't remember too much else about him. Spacey doesn't clue you in on a whole lot either. For a long time it appears that all that he and Darin had in common is that they were both in love with their mothers.

And then there's the music. This film runs two hours and a good 45 minutes of it is Spacey singing Darin's tunes rather lamely. Why? Although Spacey has a good enough voice for Karaoke night, singing the songs himself here give us absolutely no idea at all about what makes Darin's work so special. Unlike the recent "Ray," we have no idea at all what was so captivating about Darin's work and this film gives us absolutely no idea. Spacey turns this piece into a complete vanity project by insisting on singing here and relying on the songs, which are nothing but puff, to carry the film. They do not. Never at any time in the film, after the first ten minutes, does a single song by Darin mean anything here. Well, there's his hippie protest song at the end, but that has more to do with Darin's mindset and the story then it does with showing us why his work deserves to be immortalized in a biopic. If Spacey didn't sing 12 damn songs in the film, this one at the end might actually mean something. Spacey is so enamoured with his own singing that he actually includes his vocal rendition of another song by Darin in a scene that runs with the end credits.

There is a lot of drama and a good story in the last third of the film but Spacey has bored us so deeply by this point that we almost feel manipulated into feeling something towards the end of this film. Bob Hoskins and Caroline Aaron do some amazing work during this part of the film and it is their talent that makes this film worth seeing at all. It is only because they care about Spacey/Darin that we give a damn at all. If Darin was the egotistical asshole that Spacey makes him out to be here, then he should just fade into obscurity.

What's next? A biopic about "Howard Jones?"

Notes:

Also with John Goodman, Brenda Blethen, Greta Scacchi, Peter Cincotti and William Ulrich, who does make quite an impression as Darin as a child.

Spacey is credited as a co-writer and a producer. The film has over 12 producers credited.

Spacey is nominated for a Golden Globe for his performance here.

The film ends with the dedication "For Mother."

At times Bruce Willis, Johnny Depp, Tom Cruise and Leonardo DiCaprio were considered for this film before Spacey took over.

At times Paul Schrader and Barry Levinson were attached to direct.

Songs by Deep Purple and The Rolling Stones are used to symbolize the changing sound of music in the late 60's/early 70's.

Viewed in Austin on the day it opened here, December 29th, 2004.

Report Card

Script: C

Acting:
C

Cinematography\Lighting:
C

Special Effects\Make Up:
B

Music:
C

Final Grade: C

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