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Adaptation (2002)

To say that "Adaptation" is a masterful script is a complete understatement. This is a script so courageous, so fresh and new, so stunning in its complexity yet perfect in its simplicity that it ushers in a new era of film, that of the scriptwriter as filmmaker. For what "The Player" did for filmmaking, "Adaptation" surely does for the screenwriter.

Of course, we'd expect nothing less of Charlie Kaufman, the apparent genius behind "Being John Malkovich." Kaufman, working with director Spike Jonze, has created films that test exactly what film and story can be about. Blurring the lines of reality with film and celebrity, Kaufman offers pointed and insightful commentary on the modern American human condition. His work is more than entertaining and clever, its important, and "Adaptation" is another clear example of that.

By now, the premise of "Adaptation" is legendary. Kaufman, assigned to adapt the novel "The Orchid Thief" by New Yorker reporter Susan Orlean, struggles at length with the project only to write himself and this struggle to adapt the book into the screenplay. It's a creative, troubling, interesting and fresh Mobius strip of a script that works on so many different layers at once the viewer almost needs crib notes. Even the title has more than one implication.

Be assured that Kaufman takes incredible liberties with the truth here but this too is simply a continual insight into the way a screenplay is written. I won't spoil what is real and what is not here. Much of that becomes obvious as the film unspools. Still more will be revealed by other authors and film critics (as this film will be written about for years to come). Suffice it to say that one viewing of the film will never be enough and after seeing it, the viewer will want to read all he can find out about the script. That's how revolutionary and unique it is.

Director Spike Jonze has already proved his worth many times over behind the camera and here is no exception. Using actor Nicolas Cage to play both Charlie and his twin brother, Donald, Jonze must utilize numerous effects and photography tricks to get the story on the screen. It never looks false, not for one instance. And all this trickery and imaginative effects usage never once negates from the film or spotlights the filmmaking more than the story. Jonze is incredibly honest to the script and treats it and the characters as the true focal points here. He deserves as much kudos as Kaufman for his work on the film.

The acting too is simply brilliant. Cage is a force to be reckoned with as he gets his best acting assignment since "Leaving Las Vegas." Meryl Streep is simply exceptional as the writer of the novel, Susan Orlean. Orlean's story here mirrors Kaufman's and Streep has as much subtle nuance and hidden emotion to bring to the piece as Cage. Both of these actors do simply stunning work here. Streep too hasn't had a role this interesting and meaty in a long time. Her work here makes her appearance in "The Hours" seem like child's play.

But, alas, it is Chris Cooper who steals this film. Cooper indeed plays a great character and one whose honesty, purity and sense of humor permeates every moment in the film. This is an award winning performance and fans of Coop can look forward to seeing him taking home plaques and statuettes for several months to come.

"Adaptation" is simply one of the most brilliant films you will ever see... again and again.

Note:

Also with Tilda Swinton, Brian Cox, Maggie Gyllenhall, and Curtis Hanson.

Jonathan Demme is a producer. Score by Carter Burwell.

Many references to "Being John Malkovich" appear in the film.

The film is dedicated "In Memory of Donald Kaufman" and a quote from his script "The 3" appears.

Orlean has a website at susanorlean.com. A cursory look at it found that she is working to promote the movie there, so she must be comfortable with how it portrays her as a character.

Report Card

Script: A+

Acting:
A+

Cinematography\Lighting:
A+

Special Effects\Make Up:
A+

Music:
A+

Final Grade: A+

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