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Notes
from Austin, Volume 2 #19
Including:
Things to do in Austin (6/2-6/8)
Tinseltown takes Credit!
Scott LaRose and "Comedy Hell"
Chris Farley Blues
Douglas Sirk films at the Paramount
Casino el Camino
Woozy Helmet at Flamingo Cantina
"The Laughing Boy," a film made in Houston
The Hollywood Shuffle - new release dates
Kevin Smith's animated "Clerks"
"American Movie" on video
"Shaft" Week at Alamo Drafthouse
SUPER 8 2000 WORLD TOUR AT THE RITZ!
Jason Wolk's "The Closet"
The Agency
Kyle Henry in NYC - and the McCollege Tour
Lunch and a Story at Alamo Drafthouse
Reel Women Garage Sale
Cinemaker's "Best of 88 and 89" Video release party
SXSW job openings
DV director's wanted
and much more!
Things
to do this week in Austin!
Here's what's going on this week:
thru 6/3 - THE TERMINATOR - Alamo Drafthouse, Midnight
thru 7/2000 - Summer Youth Theater 2000 - Vortex
6/2 - Films Released Nationally
BIG MOMMAS HOUSE MARTIN LAWRENCE, NIA LONG
HEAD OVER HEELS FREDDIE PRINZ JR.
RUNNING FREE (AKA HOOFBEATS)
6/2 - Films Released in Austin
Sex: The Annabelle Chong Story - Dobie
6/2 - SUPER 8 2000 WORLD TOUR - THE RITZ!
6/2 - Dynamite Hack - Lazona Rosa
6/2 - Nancy Wilson - Paramount
6/2 - Modest Mouse - Stubbs
6/2 - Veruca Salt - Stubbs
6/2 - Jimmy Smith/Mike Nickoli - Flipnotics
6/2 - Golden Arm Trio (6:30) - Central Market Central Park
6/2 - Biscuit Rollers - Central Market Westgate
6/2 - Blazers/Wayne Hancock - Continental Club
6/2 - La Tribu - Mercury@Jazz
6/2 - Impossibles - Emos
6/2 - Dale Watson - Mangos
6/2 - Thrill Core/Stoneracker/Betty's Ford/Temperstrain
- Back Room
6/2 - Callous Taoboys/Fencecutters - Triple Crown
6/3 - Primal Scream - Lazona Rosa
6/3 - Bayou Boogie and Crawfish Fest - Waterloo Park
6/3 - Willis Alan Ramsey - Antones
6/3 - Hug/Zero Skills Inc - Red Eyed Fly
6/3 - 8 1/2 Souveniers - Flipnotics
6/3 - The Barkers/Orange Mothers/Grand Champeen - Continental
Club
6/3 - Dawtahs of Jah - Flamingo Cantina
6/3 - Larry - Mercury@Jazz
6/3 - Makers/Bangs/Stereo Total - Emos
6/3 - Mos Def - Back Room
6/3 - Carolina Moonshine/Pavlov's Dogs - Triple Crown
6/4 - Wizard of Oz - Paramount
6/4 - HONG KONG SUNDAYS - A BETTER TOMORROW PART 2 - Alamo
Drafthouse
6/4-6/5 - Streetcar Named Desire/On the Waterfront - Paramount
6/4 - Hangover Helper Afternoon Show - Red Eyed Fly
6/4 - Mystic Journeymen/Living Legends - Flamingo Cantina
6/6 - Douglas Sirk Film Series - Paramount - Written on
the Wind
6/6 - Wizard of Oz - Paramount
6/6-6/7 - Free Kids Films - Regal Lakeline/Westgate
6/6 - Jethro Tull - Backyard
6/6 - Toots and the Maytals - Flamingo Cantina
6/6 - Zulu as Kono/Sicbay - Emos
6/6 - Videos Released Nationwide
GIRL,
INTERRUPTED
NEXT FRIDAY
6/7-6/8 - "The Thin Man" Films - Paramount
6/7 - Black Eyed Peas - Stubbs
6/7 - "Employer/Employee" - Emos
6/8-6/10 - SID AND NANCY - Alamo Drafthouse - Midnight
6/8 - Acoustic Alchemy - One World Theater
6/8-6/9 - Sister 7 - Antones
6/8 - Skatalites - Flamingo Cantina
6/8 - Peter Rowan Trio/David Nelson - Mercury@Jazz
6/8 - Vue/Enduro - Emos
6/8 - Pimpadelic/Primer 55 - Back Room
6/8 - MTV Movie Awards Telecast
Ongoing:
Fridays
Caucus Club - Phuz - DJ til 4am
Velvet - Deluxe
Saturdays
Atomic Cafe - Industrial Night
Caucus Club - Phuz - DJ til 4am
Velvet - Force
Sundays
Atomic Cafe - Suburbia - New Wave Night
Flipnotics - Shorty Long
Mondays Caucus Club - Swing Night
Spiros - Service Industry Night
Tuesdays
Atomic Cafe - Fetish Night
Flipnotics - Erik Hokkanen
Spiros - Salsa Dance Lessons
Wednesdays
Atomic Cafe - Swing Night
Blind Pig Pub - Pitcher Night
Flipnotics - Rubinchik's Orkestyr
Mangos - Southern Fried
Mercury - Hip Hop Humpdays
Velvet - Naughty Wednesday
Thursdays
Atomic Cafe - Service Industry Night
Caucus Club - Phuz - DJ til 4am
Earl Campbells - Service Industry Night
Velvet - Devotion Thursdays
The Pocket FishRMen played their final gig at Red Eyed Fly on
5/13. Nobody - and I mean nobody - even mentioned it to me.
Sigh.
Tinseltown, owned by Cinemark, Inc, became the first theater
in Austin, to the best of my knowledge, to sell tickets via
the internet last week. You can buy advanced tickets with a
credit card at www.cinemark.com and pick them up at the theater
before showtime. They also now take credit cards at the box
office and at the concession stand.
I can wear a suit and tie, have my hair mouse up like it's
a mountaintop or be in drag and shave my head and people still
have the fucking balls to come up to me and tell me I look
like Chris Farley. It's enough to make me want to kill myself.
Don't get me wrong, I loved Chris as much as everybody else
did! And still do! But I don't look a thing like him. It's
absurd.
At one point me and my friends wanted to do a remake of
"Mayberry RFD" (to be called "Mayberry LSD," of course). We
wanted to have Chris play Aunt Bea. Guess I'll have to do
the role now. Here was our casting choices:
Andy: Everett McGill
Barney: Crispin Glover (or) Steve Buscemi (or) John Waters
Aunt Bea: Chris Farley
Opie: Linda Hunt (or) David Spade
Floyd: David Lynch (or) Bill Murray
Goober: Jim Varney
Wow. Jim Varney is gone now too. Maybe Billy Ray Cyrus would
do.
Scott LaRose, who screened his hilarious spoof "The
Blair Bitch Project" starring Linda Blair, at Park City
earlier this year recently took the short to Cannes. While
there, he set up a deal to release the short in Germany as
well as cut a deal with Alpine Pictures to direct a feature
film called "Comedy Hell."
In Scott's own words: "The dirt on 'Blair Bitch' is a company
called Astro distribution made a wonderful offer (after laughing
their German butts off for 20 minutes) to put the 'Bitch'
on DVD for all of Deutchland. It's not final yet but it will
also mean they will show it on German TV (dubbed) which will
suck...
"As for 'Comedy Hell' it's a script that I wrote about 3
stand-up comics and a serial killer in Big Bear, CA. Basically
it's 'Swingers meets Scream.' Alpine pics is doing it (the
company who made 'The Convant' @ Sundance 2000) for a budget
of 1.8 mill...
"I'm directing and Meg Liberman (the casting person from
'Seinfeld') is producing. We start casting next week and I'll
keep you posted."
Scott had a chance to check out some flicks at Cannes as
well. "I saw 'O Brother Where Art Though' and 'Shadow of the
Vampire' and they both rule!"
Lucky bastard! Scott's having a pretty good week I'd say!
Heard about a local feature filming in Austin called "Pageant"
this week. Anyone got the scoop?
Tuesday night I saw the Douglas Sirk film at the Paramount.
Salvator Botti, the Austin Film Society guy, doesn't make
announcements or introductions at the Paramount like he did
for the Preston Sturges films at UT. He did hand out some
flyers.
The film, "There's Always Tomorrow," was a hilarious and
campy artifact from the 50's. The morals and social mores
it represents are now long gone. Dig it! In the film, a family
man ALMOST has an affair because his family ignores him so
much. It's so silly by today's standards, but I bet it was
almost "shocking" in 1956. And who is most upset about the
father's suspected dalliances? The wife? Nope - it's the oldest
son. He is damn near traumatized by it! It's just so damn
funny and silly nowadays.
What does make the film still remarkably interesting is
the outstanding performance by Barbara Stanwick (best known
as the matriarch on TV's "The Big Valley" in the 60's). Starring
with her co-star from "Double Indemnity" 12 years earlier,
Fred MacMurray (the father on "My Three Sons," the original
"Flubber"), Stanwick makes the film crackle at every frame
she inhabits. She is awesome. Suddenly it was clear to me
why she was such an immensely popular leading lady. She had
something that was rare in female leads in the golden age:
A brazen quality that bordered between masculine sexuality
and feminine wiles. She was just tough yet tender, sexy yet
not submissive. And given a role to sink her teeth into, well,
she would gnash it to a pulp. Given the tripe that is "There's
Always Tomorrow," Stanwick cuts a piece of the script out
for herself and never allows any of the other performers to
touch her. She steals every scene she is in.
After the flick, I was going to go to Atomic Cafe, but it
was early, so I stopped off at Casinos for a bit. There was
a really cute little blonde guy and Casino was hanging all
over him. I wondered, "Who could that be?" Casino was introducing
him around like he was some sort of celebrity. I was squinting,
trying to see if I recognized him, the guy was so cute. Later,
I saw the guy working in "Hell's Kitchen" frying up the burgers
in back at Casinos. I've noticed that a lot of the "employees"
hang around the place, even if they are off work. It's like
family there. That's part of why I like going there. Everyone
treats you like you belong. That's awesome.
I saw Brandi from Woozy Helmet and said Hi. She was playing
next door at 1am at the Flamingo Cantina, so I told her I
would come over. I hadn't had a chance to see Woozy yet and
Brandi is so cool, I was just dying to check them out. I called
up Rich and Kelly. Rich was in Houston, but somehow I persuaded
Kelly to come out for the show. Kelly used to promote a lot
of punk shows in Houston in the 90's when he was just a teenager.
Cover was $5, which seems a little steep. No wonder there
were only 10 people in the place. Got there in time to see
Woozy Helmet set up and play. They fucking rocked. Their drummer
was one of the best I have ever heard. The only skin-beater
I've seen better in Austin is the guy who plays for Voltage.
(He rocks so hard that he pukes on stage which is just unsurpassable).
The lead singer/guitarist for the band had a better mic than
Brandi (She plays bass and sings), so he was easier to understand.
All in all, they were a fun and tight little punk trio. I'd
pay to see them anytime. They did a cool song where the drummer
and guitarist switched instruments during the tune. It was
quite unique.
There will be a sneak preview of the low-budget independent
feature film (made in Houston) called "LAUGHING BOY" in Chicago
on Tuesday, June 6th. The screening will be held at the Vic
Theater, 3145 N. Sheffield, Doors open at 7PM, the screening
begins at 8PM. Admission is $8.
"LAUGHING BOY" is the directorial debut of Brazil J. Grisaffi
(he also produced.) The film is written by George Douglas
Lee (based on his play) and stars Anne Quackenbush, Therese
Kotara and Michael Gray. The comedy also features actors Bob
Gebert, Bryan Lee McGlothin, Robin Craig and Tiffany Grant,
among other talented Houston actors.
"LAUGHING BOY" also features several short animated sequences
by Houston's Stone Soup traditional cel animation.
"LAUGHING BOY" features an original score by Houston's Jeff
Walton, and features hit songs from The Dead Monkeys (from
New York), ToeHead (from California) and The Strangeways (from
Florida).
The film was produced entirely in Houston, Texas. To date,
the film has cost under $50,000 to produce and market.
"LAUGHING BOY" will make its festival premiere at the New
York Int'l Independent Film & Video Festival in July, 2000.
To learn more about LAUGHING BOY, visit the movie's website
at: www.grisaffi.com/laughingboy.html
A clip from LAUGHING BOY can be found at: www.filmdeli.com
(downloadable mpeg) and http://www.ifilm.com/films.taf?film_id=99628
(streaming video)
The Hollywood Shuffle!
As is a summertime wont, distributors will alter their release
schedules nearly every day to achieve an optimum opening date.
Here are some of the latest moves:
Paramount has now decided to put out the Kim Bassinger Satanist-are-stealing-my-baby
film "Bless the Child" on 7/21 rather than in the fall. The
film also stars Jimmy Smits.
The Richard Gere/Wynona Ryder weepie, about an aging playboy
in love with a terminally ill young woman has moved up a couple
weeks to 8/4.
Possibly seeing the dismal failure of Jaimee Foxx's latest
film "Held Up" as a death knoll, Warners has moved his next
flick, "Bait," to the wasteland that is September. Look for
the film to bow on 9/15 now.
The Robert Redford directed golf flick, "The Legend of Bagger
Vance," starring Matt Damon and Will Smith was to come out
in late August. It has now moved to a pre-Thanksgiving date
of 11/3.
Wes Craven's "Dracula 2000" which was to go head-to-head
with the "Blair Witch" sequel on 10/27 has now moved to an
almost 2001 release date of 12/22. Craven's first "Scream"
struck Xmas gold with a non-traditional release date (horror
films almost always bow at Halloween) a few years back.
Warners hopes to release the Sandra Bullock film, "Miss Congeniality,"
which is wrapping up filming here in Austin, on Christmas
Day 2000.
Meanwhile, the Robert Rodriguez directed film "Spy Kids,"
which has been filming here in Austin will probably not be
available to the public at large until 2001, possible in March.
Wednesday I watched Kevin Smith's new animated series based
on "Clerks" on ABC TV. There's been a lot of hubbub that maybe
Disney buried the show because of all the problems Smith bitched
about trying to get "Dogma" distributed. Um... I think the
problem is, you know, the series, or at least this first episode,
sucked. Well, it didn't just suck; It imploded in the vast
emptiness that was it's own absurdist ineptitude. What a piece
of unmitigated ca-ca. Smith is, simply put, not suitable for
broadcast TV. Part of his humor is his guttural and base reactions
to modern pop culture. Someone like Jason Mewes isn't really
funny unless he's talking about sex. This series is going
to be a joke for - what will hopefully be - it's limited run.
Smith was foolish to even try. I hope he got a big fat Goddamn
paycheck. I hope Mewes did too.
What's next? "Henry Fool - The Animated Series?"
The filmmakers behind "American Movie," the awesome documentary
that took America by storm last year, have sent out the following
message to fans:
"WE NEED HELP! 'American Movie' was released last week on
VHS and DVD and is at your local video store now! Big problem:
We've heard major retail stores are only stocking 1-2 copies
for sale or rent, grossly underselling the movie!
"YOU CAN HELP! If you go to your local stores to rent or
buy the movie and it's sold out OR they only have a few copies,
ask the manager of the store to order at least 10 more ASAP!
"ALSO, CALL THIS NUMBER: 310-244-4000 and ask to speak to
Marshall Forrestor--he's a top exec of sales at Sony and needs
to hear the demand for more copies!!!!!"
Emails:
>From the Alamo Draft House:
SHAFT WEEK! JUNE 9-15
"John Singleton's 'SHAFT' opens nationwide on June 16. While
Hollywood is remaking the genre with a modern sheen and an
all-star cast, we at the Alamo feel it's appropriate to get
back to the roots, declaring the week of June 9-15 SHAFT-WEEK.
We will be screening the original 1971 Gordon Parks classic
SHAFT starring Richard Roundtree. Before each feature, you
will see a stunning array of the best BLAXPLOITATION previews
ever made. Plus, with every ticket, receive an icy cold COLT
45 40 oz malt liquor. We have loads of Shaft information,
articles, pictures and even Sammy Davis Jr's version of SHAFT
on downloadable MP3. Check it out at http://www.drafthouse.com
"
From Cinemaker Co-op:
"DON'T MISS CINEMAKER'S PRESENTATION OF THE SUPER 8 2000
WORLD TOUR AT THE RITZ!
"FOLLOWED BY A *FREE* WORKSHOP IN SUPER 8 PINHOLE CAMERAS,
IN STUDIO 4E OF COMMUNICATIONS BUILDING B ON THE UT CAMPUS!
"Back from a two year hiatus and proud to present Super
8 2000 - The World Tour, the Super Super 8 Film Festival aims
to bring the festival back into the film festival--with live
musical accompaniment to silent films, bingo, door prizes,
sing-alongs and more.
"On Friday, June 2 at 7pm at the Ritz Lounge Upstairs, the
Cinemaker Co-op will host this throwdown of short film with
tour coordinator Melinda Stone in person. Super 8 films spanning
diverse styles and subjects will be featured, from Mark Fox's
mysterious and alluring *Untitled Animation*, to Matt Hulse's
frenetic wonder tour of the wild *Take Me Home*, to bad girl
Martha Colburn's unforgettable hard-core creation *There's
a Pervert in our Pool*. All projected ON FILM with live musical
accompaniment by Peter Stopschinski of Brown Whornet! The
Super Super 8 program will be followed by a selection of the
most bold, beautiful, and bizarre Super 8 films made in Austin
in the past few years. $7 general/$3.50 Cinemaker members.
The Ritz Lounge is located at 320 6th St.
"THEN, on Saturday, June 3 at 11am, tour director Melinda
Stone will conduct a FREE two-hour workshop in pinhole Super
8 camera-making and use. A rare treat for those interested
in experimenting with this small format--or those that are
just too broke to buy their own! IN STUDIO 4E OF COMMUNICATIONS
BUILDING B, 26th & Guadalupe, on the UT Campus. Sponsored
by the Department of Radio-Television-Film.
"This gala event highlighting unusual and lovely Super 8
films is dedicated to keeping the beauty of Super 8 filmmaking
alive. Through an extensive network of supportive venues across
the world, the Super 8 2000 Tour is presenting magical and
adventurous Super 8 creations to hungry small format audiences
far and wide.
"For more information, please contact the Austin Cinemaker
Co-op at (512) 236-8877 or email cinemkr@texas.net"
Jason Wolk's film, THE CLOSET, which showed at Slamdance
earlier this year, was sold to two distribs: DVD to Quickband
Networks (an indie label owned by Warner Bro.) and all other
rights were sold to ATOM FILMS.
THE CLOSET also won the Jury Award for Best Short at the
Cleveland International Film Festival. Subsequent screenings
since Slamdance have included: Seattle International, HBO/US
Comedy of Arts, Newport Beach International, Santa Monica
and Cinequest.
From Jason Lee, front man of Austin's fave band The Agency,
comes this news:
"First things first: For reasons far too numerous to list
here, The Agency won't be touring this summer.
"Also, I'm afraid there won't be any farewell gig in Austin
before we move out to L.A.. During our trip out to the Left
Coast last week, Barry found himself a day job... which begins
on the 5th of June. The poor guy is running around like a
one-legged man in an ass-kicking contest to get everything
squared away before he leaves. The rest of us are moving out
in stages, upon completion of our existing commitments. We're
out of our rehearsal room, so it's up for grabs!
"Mark David is shooting two films this summer: "Thug Life"
in early June, and "Duo" in late July/August. "Sweet Thing"
is expected to be out on video and DVD by the end of this
summer... look for it at your local Hollywood Video.
"William is putting the finishing touches on Casie Waller's
CD."
Jason better keep me updated on how things go for him and
the guys out in LA-LA land. Getting a e-mail or a returned
phone call out of Mark David is like pulling teeth!
Here's a weird but fun little e-mail I got!
Take the first 3 letters of your first name. Add the last
2 letters of your last name. This is your Star Wars first
name.
Now take the first 2 letters of your mother's maiden name.
Add the first 3 letters of the city you were born in. This
is your Star Wars last name.
BTW - Mine is Doner Hokeo....
>From Kyle Henry:
"The McCollege Tour, a traveling side-show of media, discussion
and tool-kits for investigating corporate greed at universities
and colleges across the nation has just completed another
semester of opening a can of whoop ass!
"CHECK-OUT OUR NEW WEB-SITE (in construction) AT: http://www.mccollege.org
"PLEASE REPLY TO mccollege@hotmail.com WITH COMMENTS!!!
"Over 25 sites have hosted the tour to date, including:
Rice (TX), Yale, Cornel, UMASS-Amherst, Boston College, Swarthmore,
UC-Berkeley, UC-San Diego, Pitzer (CA), Cal State Fullerton,
RPI (NY), SUNY-Binghamton, Southern Oregon University, Univ.
of Oregon, Univ. of Arkansas, Univ. Kansas, Univ. of Texas,
Univ. of Colorado-Boulder, the SXSW Film Festival, the Dallas
Video Festival, and last but not least, a screening at the
IMF/World Bank Protests in Washington, D.C. on April 15.
"A movement is building against the corporate takeover of
academia, merging with movements fighting the concentration
of power, wealth, and privilege by global transnational corporations.
We are overwhelmed daily by the sheer size and growing awareness
of this populist drive to make the centers of capital accountable
to the communities of people they continue to exploit across
the globe. We are also overwhelmed by the local efforts taking
place on each campus we've visited to make corporate clones
in administrative positions accountable to the needs of their
students, faculty, staff and the communities they claim to
serve. WE THOUGHT WE WERE ALONE! HOW FOOLISH!
"The McCollege Tour will continue, with the help of further
grants pending, in the Spring of 2001, after participating
in the Southern Circuit Tour in the Fall 2001. We will play
this summer at the following sites:
June 16, Friday, 7:30 PM - Museum of Fine Arts - Houston,
TX Freed Auditorium, inside the Glassell School of Art, 5101
Montrose Blvd. $5 General/$4 Students/Seniors/MFA Members
http://www.mfah.org
June 17, Saturday, 9AM-1PM - SouthWest Alternative Media
Project McCollege Tour Self Distribution Workshop Rice University
Media Center, Houston, TX
"We will be conducting a special workshop on video activism
and alternative distribution. If you would like to learn from
our mistakes and discover what it takes to tour your documentaries,
please check out this web site for more info on the workshop:
http://www.swamp.org/wksp.html
"August - Time and Date TBA - Protest at the Democractic
National Convention - Los Angles, CA
"We'll be there as protestors try to unbalance the neo-liberal
strangle-hold on the Democratic Party. With Clinton winning
today the new NAFTA for China, things keep changing for the
worse. By the way, I'm voting for Ralph Nader and have registered
for the Greens. At least I'll be voting for a candidate I
actually believe in, instead of the lesser of two evils..."
From aGLIFF:
"We're excited to announce that aGLIFF is collaborating with
the Austin Children's Museum for their Austin's Own Youth
Film and Video Festival 2000. As part of this collaboration,
aGLIFF is sponsoring a three hour animation workshop on Saturday,
June 24. We are looking for an experienced traditional or
computer based animator to lead this workshop. Thisd project
will be our first attempt to collaborate with the museum and
lay groundwork for the beginnings of a gay youth multimedia
program. If you are interested in helping out with this workshop,
please email Sandra Martinez at sandra@agliff.org stating
your interest along with a brief (one to two sentences) description
of your experience.
From Cinemaker Co-Op:
RELEASE PARTY FOR THE BEST OF 1998 AND 1999 Wednesday, June
14 8pm Empanada Parlor, 6th St. Free! Live music, drinks,
and free food!
"Join us in celebrating the video release of the Cinemaker
Co-op's Best of 1998 and 1999 compilation tape, "Fast Cheap
Prophecies"! An amazing collection of the most beautiful,
powerful, and hilarious Super 8 produced out of Austin in
the past two years. Co-sponsored generously by the Empanada
Parlor and Jennifer Hill Public Relations.
"For more information, contact the Cinemaker Co-op at 236-8877
or email cinemkr@texas.net "
From Austin Access TV:
http://austinaccess.com
"Austin Community Access Center Celebrates 27th Birthday
with Party!
"Join us for Food, Festivities and Fun, featuring Live Music
and a Live Broadcast Party Showcasing the 2000 Austin Video
Awards.
"The Austin Community Access Center (ACAC) is 27 years strong
and wants YOU to help them celebrate. Long recognized as the
nation's premier public access Television facility, ACAC is
opening up their doors to party on Saturday, June 10, 2000
and EVERYONE is invited!
"ACAC will be hosting a 27th Birthday Bash and Open House
at their studios from Noon to 5:00 P.M. on Saturday, June
10. If you can't make it, never fear! Tune into Channel 16
from Noon to 2:00 P.M. for a LIVE party broadcast, featuring
winners of the 2000 Austin Video Awards and live musical performances
by Austin favorites' Leeann Atherton and Dahebegebees. The
entertainment will continue throughout the afternoon with
an acoustic "Songwriter in the Round" hosted by Tres Hombres
Publishing.
"The Austin Video Awards recognize the outstanding achievements
of ACAC Independent Producers, who produce more than 2,500
programs monthly. ACAC members are a widely diverse group,
representing all ethnic backgrounds and include women's groups,
disability groups, churches, schools, local clubs, local music
shows, and more. Three access channels are provided through
Time Warner's cable franchise, Channels 10, 11 and 16 and
service more than 170,000 households in the Austin viewing
area.
"Throughout the past 27 years, ACAC has remained the nation's
leader, receiving outstanding praise on the local, state,
and national levels. Devoted to the community, ACAC has held
fast to their mission, "to promote a free exchange of ideas,
community dialogue and individual artistic expression through
cable television and other media." In 1996, ACAC was awarded
for the second time, the "Community Communications Award,"
the highest honor given by the Alliance for Community Media.
Any resident within the Austin Time Warner viewing area is
eligible to take low-cost workshops, which provide certification
for use of ACAC equipment, thus providing the public access
to affordable video production opportunities.
"ACAC is located at 1143 Northwestern Ave. (off of Rosewood)
and any questions or comments can be directed to 478-8600
ext. 10. A map and additional information about the services
provided by ACAC can be downloaded from http://austinaccess.com
"
I dont remember who sent me this one. It's happening at the
Alamo Drafthouse:
Lunch and a Story with Maria Grace
"Come have an experience that will nourish your body, stimulate
your mind, and (maybe) open your heart to your inner knowledge
about your personal journey through Heaven and Earth.
"Psychotherapist Dr. Maria Grace is using film to tell stories
that aim at connecting you to basic, forgotten truths. Whether
you are a movie fan, a spiritual seeker, a lover of art, or
just curious, you will be given some new tools to discover
the healing power of film. You will learn about symbols and
myths as signs toward self-discovery. You will be part of
a forum that asks questions and looks for answers. And all
this, while you will be having a lot of fun!
"One Sunday of each month, beginning June 11, 2000, on 409
Colorado Street. 12:00 doors open. 12:30-2:30 presentation.
2:30-3:15 general discussion. Admission $8.00. (Lunch bought
separately)
June 11: "Star Wars and the path to our Bliss: the search
for our Myth" July 16: "What dreams are made of inside the
Matrix" August 13: "The unbearable lightness of being in Love
and War" September 10: "Cinderella and The Sleeping Beauty
in Wonderland"
"For more info contact: 476-1320 or thegrace@flash.net"
From Reel Women:
Clean out your closets and help support the Reel Women Production
Group!
The Reel Women Production Group is holding a garage sale
on June 24 to raise money for Tell Mona and Wisegals. If you
have items you would like to donate to the garage sale we
will be picking them up on June 10 from 8 a.m. to 12 p.m.
and on June 17 from 8 a.m. until 12 p.m. To schedule a pick
up please call 292-9008 X1 and leave your name, phone number,
address and preferred pick up date. Thanks!
SXSW is currently looking to fill two positions on staff:
Graphic Designer and Layout Person
Candidates for this position must have strong experience
in print design and layout; responsible for design and layout
for brochures, event directories, ads, banners, and various
other needs. Person would be responsible for coordinating
with the staff and print houses to accomplish full-color print
production and graphics for the web. Requires strong working
knowledge of: Mac OS, Photoshop, Illustrator, Pagemaker, Quark.
Also, beneficial to have experience in: Flash, Fireworks,
AfterEffects, HTML, Dreamweaver and other graphics and layout
applications. Candidate must be able to show a porfolio of
previous work.
Interested parties should their resume to: RE: Graphic Designer,
wilcox@sxsw.com or FAX 512/451-0754 Attn: Scott Wilcox
Filemaker Pro Designer and Tech Support
Candidates for this position must have previous database
design experience in Filemaker Pro, and be able to show examples
of previous relational database design. Person would be responsible
for designing and supporting the front-end work environment
for SXSW staff, database management, and working with other
staff prgrammers to integrate office systems with the website.
Requires strong working knowledge of: Mac OS, Filemaker Pro,
user interface design, scripting, and a desire to increase
working knowledge of database design and systems integration.
Interested parties should their resume to: RE: Filemaker
Pro Designer, wilcox@sxsw.com or FAX 512/451-0754 Attn: Scott
Wilcox
Kolodner Heading Madstone Search for Feature Digital Directors
Newly-formed Madstone Films has announced an international
search for first-time feature filmmakers to direct full-length
digital movies -- the effort is being spearheaded by acclaimed
indie producer Eva Kolodner ("Boys Don't Cry," "Safe Men").
As part of the initiative, Madstone will award -- every
six months -- a two-year contract for 3 - 5 directors. The
package includes an annual salary of $50,000, benefits, a
401(K) plan and funding for a feature with a $500,000 to $1.5
million budget. Filmmakers will receive profit participation
in films produced during their tenure with the organization.
In a prepared statement, Head of Feature Development and
Production Eva Kolodner commented, "Madstone is determined
to destroy the myth that you have to be working three jobs
and developing your script in the middle of the night to make
your vision a reality."
According to a company announcement that is being released
today, Madstone is "laying the foundation for a digital distribution
network for the theatrical exhibition of the resulting films."
The announcement continues, "The company plans to create a
unique network of community-based cinemas where theatergoers
can experience a varied slate of entertainment uniquely suited
to their specific interests."
Madstone indicated that it will be searching for directors
through film festivals, film schools , and sites streaming
short films. The company is also encourging applications via
its website. Eligibility requirements include previous work
as a director of short form work, including films, commercials,
music videos or internet content. Applicants must submit a
feature treatment or script. The deadline for the tenure starting
July 17, 2000 is Friday, June 16th.
For further submission guidelines, visit www.madstonefilms.com
or call Madstone Films at (212) 989-4500.
And that's a wrap for this week folks!
lodger2000
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