Austin
Film Festival 2002 - Day 6 – Tuesday, 10/15
Sometimes as a part of my day gig, I go to another
facility owned by the same company I work for and help
them out. It’s rare, but I do it occasionally. The reason
I mention it was because, well, I did it on this day.
But even moreso, one of the employees there, a young
woman in her early 20’s, lost a friend that very morning.
He died of liver failure. He was as young as she. It
was very sad and she talked about it all day and cried.
I tried to be as comforting as I could but what can
you say at a time like that?
I could only think of friends I had lost. I lost
a friend to liver failure too. She was also in her early
20’s. Her name was Maggie, we all called her Magz, and
I worked with her in Houston. Magz was always sweet
to me and I really liked her. We even went out and partied
quite a bit. I knew she had some medical problems but
I never knew how bas it was. Hell, every time we partied,
she out-drank me. She always vomited, but I just thought
it was because she partied so hard. I just didn’t know
how bad off she really was. After I moved to Austin,
I heard that she died. I couldn’t get back in time for
the funeral. It was really dumbfounding. It was so unexpected.
The young lady I work with had a similar situation.
She had just found out yesterday that her friend (from
when they were kids) was sick and went to see him at
the hospital They told her he wasn’t expected to live.
So unfathomable…
Anyway, I was in a pretty sober mood during most
of the day and when I wasn’t concentrating on work,
I tried to doodle a poem about a green, lush valley
between two mountain. The valley held all it’s residents
captive between the two mountains, named “Hope” and
“Fear” and also held all the darkness, sadness, sorrow
and pain of the world within its shadowy land. It’s
called “The Valley of Despair,” but it isn’t very good
and I didn’t quite finish it, so maybe it will be up
on the site in some future day.
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Melissa called me and told me she met some
guy at a coffeehouse who wants to put her in a
play. He has some alternative space in someone’s
back yard or something called the Broken Appliance
Theater. That was kinda interesting.
After work, I rushed home to change, grabbed
my bag and headed to the Paramount for “American
Girl.” I didn’t really know anything about this
film except that it starred Brad Renfro. When
I got down to Congress and started walking towards
the Paramount, I decided to take a picture of
the marquee. I did and I noticed that it said
that “Lava” and “Interview with the Assassin”
rather than “American Girl.” I saw a AFF volunteer
out front and asked her if they had changed the
schedule again. She told me that there was a problem
with the print and that “Lava”
would be showing tonight instead. I asked if she
knew anything about the film, because I couldn’t
find it in my program and she had me talk to a
couple other guys.
One guy told me he was a volunteer for the
festival when he overheard this. I told him I
was also and he said that he knew and then in
the next sentence or two called me Lodger. I had
no idea who this guy was but, of course, I’ve
probably met him at AFF before and maybe even
had a long conversation with him.
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Brad
Renfro
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I really suck at recognizing people sometimes (although
he was a nice looking guy so that’s unusual) and I really
suck at remembering names. I have to work on this if
I want to become the true schmooze-meister I so desperately
want to become. Anyway, this guy told me it was a British
film and sort of a Guy Ritchie-type movie. That ruffled
my neck feathers and I should have seen it as a sign,
but it was nearly 7 and I decided to give it a shot
and check it out. It was pretty bad.
Went to the bar and got a Jack and Coke before
I went in. The cutie blone guy was available so I stepped
up and ordered a drink from him. This time I was sure
that he was the guy I had met during Agliff’s party
and so I mentioned it to him. He didn’t even remember
me and barely even tried to play along. (Even more invisible).
I went in and there were not a whole lot of people
there but enough to call it a crowd. Sat there for a
minute and one of the more recognizable volunteers came
out to introduce the film and mentioned that Brad Renfro
would be out in a second to explain to the crowd what
was going on with his film. I had forgotten that Renfro
was supposed to come to the screening. I got my camera
ready and Renfro comes out and he’s dressed really oddly
but looks cute. I’m so busy taking pictures that I was
really wasn’t paying attention to what he was saying.
I noticed that Linda from AFF was sitting behind
me and yelling out suggestions to him on what to say.
He said that the print had accidentally been shipped
to Massachusetts or Pennsylvania or someplace and made
sure that we knew, thanks to Linda’s prompt, that it
was UPS’ fault and not AFF’s. He told us that the film
would screen the next day as scheduled and that he would
be in attendance. I wonder where he partied on Tuesday
night? Renfro seemed pretty lucid (i.e. sober) and even
said, “God bless you” at the end of his little speech.
It was really nice of him to get up there and introduce
another film for AFF.
“Lava” was preceded by a short called “At Dawning”
which was okay but had some sound issues (inherent in
the finished product, not in The Paramount’s sound system).
After the film was finally over, it was a few minutes
after 9. I knew I had less than 20 minutes to get to
the Westgate for “Love
in the Time of Money” but thought I could make it
if I really booked. They usually don’t start on time
anyway. On the way out, I heard someone call my name
and it was Meredith who was there with Phatt Matt and
the other people from Taos.
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They said they were going to the
Westgate for “Money” as well and we acknowledged
that we’d have to hurry to get there. We also talked
about how “lava” wasn’t as bad as “Beeper,” but
that’s a tough call for me. I could see how some
might like “Lava,” if they really loved Guy Ritchie
and were hungry for some second-rate “Snatch.” He
he, that’s funny. I have to remember that for the
review. If you liked Guy Ritchie’s “Snatch,” get
ready for some sloppy seconds! |
I booked to the Westgate nearly killing
myself and several other motorist. I should not have
stressed so much and just relaxed and drove, but I hate
missing the beginning of a film. I hate it! And there
are no previews before festival films usually to give
you a cushion.
I got to the Westgate and saw Phatt Matt inside.
They hadn’t started the film yet and I had to piss like
a racehorse, so I took a chance and went in the bathroom.
As I was standing and peeing, my cell rang. Like a dumbass,
I answered it. It was my boss and it was just a quick
message, so I got off the phone quickly and got into
the theater right as the AFF trailer started. And after
the trailer, was a short. A SHORT! A fucking short!
I nearly killed myself and pissed my pants and there’s
a short! Fuck. Worse yet, it was a short I had already
seen when I previewed films for AFF. Luckily, it was
one of the better ones, “Running with Scissors,” so
I forgave myself for being a film maniac and AFF for
scrunching the schedule too tight!
After the film, I talked to the Taos folks again.
I noticed one of the guys from this group, whom Matt
introduced to me the night before looked a little like
Steve Buscemi, one of the stars of “Money.” So I joked,
“Buscemi called. He wants his DNA back.” We also talked
about “White
Oleander” and “The
Ring” among other films and personal stuff. I noticed
they all wore badges and Matt said that they got passes
through Fritz, another guy from Taos. Fritz is an actor
and was in a Austin film that never got shown to the
public, as far as I know, called “Pageant.” Apparently
he’s got the hook-up with someone at AFF.
Anyway, it was pretty cold, so we said our good-byes
and I headed back to Lodg Angeles. I stopped by Jack
in the crack and got some shitty, greasy food. The Austin
Film Festival leaves you little time to sleep, eat or
drive properly, especially if you work for a living.
Lodger2002 @ AFF2002
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